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Assiette en poterie - Ogata PARIS
Assiette en poterie SHINSHA - Ogata PARIS
Assiette en poterie ORIBE - Ogata PARIS
Assiette en poterie AMEYU - Ogata PARIS
Assiette en poterie SEIJI - Ogata PARIS
Assiette en poterie KOHIKI - Ogata PARIS
Assiette en poterie AKATSUCHI - Ogata PARIS
Assiette en poterie KOKUTO - Ogata PARIS
Assiette en poterie KAIYU - Ogata PARIS
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  • Load image into Gallery viewer, Assiette en poterie SHINSHA - Ogata PARIS
  • Load image into Gallery viewer, Assiette en poterie ORIBE - Ogata PARIS
  • Load image into Gallery viewer, Assiette en poterie AMEYU - Ogata PARIS
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  • Load image into Gallery viewer, Assiette en poterie KOHIKI - Ogata PARIS
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  • Load image into Gallery viewer, Assiette en poterie KOKUTO - Ogata PARIS
  • Load image into Gallery viewer, Assiette en poterie KAIYU - Ogata PARIS

Plate

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€24,00
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€24,00
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A small pottery plate called meimeizara. It is ideal for daily use and also as a plate to serve appetizers. We have prepared 8 types with different glazes and firing methods.

Cinabre

On the basis of a transparent glaze, we have added a little copper. The reduction firing gives a red color to the plaster.

Oribe green
A glaze in the basis of copper and ash enamel. This color was named in honor of a Japanese tea master Sen no Rikyu, Furuta Oribe who particularly appreciated its color.

Ameyu
We have added a small amount of iron or manganese to the transparent glaze. After the reduction firing, it takes a shiny brown color just like a Japanese brown candy.

Celadon
A small amount of iron oxide contained in the glaze reacts during the reduction firing and gives this blue-green color. It is a several century old technique said to have been developed in the 10th century.

Kohiki
Kohiki, also known as Kofuki from its whiteness, evokes a flour that has been blown. Different to the whiteness of porcelain, it has a suppleness of the ceramic. The air inside the glaze reacts during the reduction firing and reveals several pink stains in different places on the surface. You can enjoy the specific touch of ceramic and its unique shades of color

Akatsuchi yakishime
We have used the soil of akatsuchi which takes on this red color after the oxidation firing at low temperatures. The ceramic is produced according to the high-fired unglazed technique called yakishime.

Kokuto yakishime
We have used the soil of Shiragaki, colored before the reduction firing. The ceramic is produced according to the high-fired unglazed technique called yakishime.

Ash
A glaze made from the ash of plants. It is one of the basic glazes used in the history of porcelain in East Asia.

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